Tuesday, October 25, 2016

AN UNEXPECTED VISIT - Excerpt

A few words before we get to the meat of things.

An Unexpected Visit turned out to be quite the unexpected surprise. After penning my debut novel, Seeing (beginning it in the fall of 2010 and spending three years perfecting the manuscript), I was satisfied being just a novelist, following that YA coming-of-age with an adult thriller/mystery/paranormal romance described by author Sheila Banning (Terroir) as a "Gothic-scented tale of grief" in The Painted Lady. In the aftermath of Lady, I had a few ideas for the next novel, but some small, inner voice pleaded with me to try my hand at something different - a piece of shorter fiction; namely, a novella.

Truth be told, I adore novellas. I hadn't written many because, unfortunately, there are not too many avenues to getting novellas published (unless you go the self-pub route) - they're not seen as a marketable form of storytelling since they are longer than a short story but shorter than a novel. Knowing my publisher, Winter Goose, has put out a few novellas in the past (Sea of Trees by Robert James Russell, and Withering by Kellie Elmore), I wanted to try my hand at developing a story of novella length, which meant I didn't have to devise any subplots and could, instead, keep readers in the main event of the story.

The idea for An Unexpected Visit rose from a terrifying thought I had of a boy, helpless, cowering beneath the bed covers, frost covering the windows, listening to the endless howls of his father from a couple rooms down, obviously suffering some kind of night terror. It was just this boy and his father in the house, which was located out in the countryside, away from anyone else. Away from help, as a snowstorm started blowing through.

The original plan was for Visit to be published in October, however a few final tasks in getting the book ready have taken a smidge longer to complete and, thus, has pushed the release back into early November. Not a big deal at all. Still, I apologize to those waiting.

I hope this tiny excerpt of the story is enough to hold you over.



A  N    U N E X P E C T E D    V I S I T

Excerpt

*



FRIDAY


When my father still lived at home he had an office to the left at the top of the stairs. I didn’t much go in there when he was around—if the door was closed it meant he didn’t want to be disturbed with whatever he was working on—and I went in there even less after he decided not to come home. One angry day Mom decided she wasn’t giving up space in her house to someone who didn’t want to be there. After boxing everything of his, the space became her sewing room.

​More times than not I would catch her in there sulking. She’d be at the desk that was centered under the darkened light fixture in the ceiling, the pale orange illuminance from the tiny bulb on the sewing machine cast a shine that painted her shadow on the wall behind her, a worn out and holey pair of my school pants half fed through the machine, but her remaining still. Her hands were down at her sides, her foot away from the pedal under the desk.

​I’ve never believed in ghosts. There just hasn’t been any concrete evidence to support their existence. I do, however, believe a house can be haunted by the presence of someone who used to live there. Memories burrow into walls and floors that can’t be covered up by a new carpet or a fresh coat of paint. My father very much haunted his office, much as I can assume some spirit of him also occupied their bedroom, and the bed they shared.
​
That morning, on my way down for breakfast, I stopped in front of that open door that once lead into his office. So many memories flooded in of the times I would pass by on mornings heading out for school, or coming up to bed at night, and seeing my father at his desk, either typing away on his computer, or talking on that special phone that was installed as a direct line just for him. He always made sure to give me a reassuring smile whenever he caught me peeking in on him.
​
That morning, I could almost picture him standing by the desk that used to be his. One hand on the phone, the cord wrapped around his body as he sat atop the desk, the other hand tossing me a wave.
​
It was my mother calling that snapped me out of the trance.


*


The plan was that I would be dropped off at his place around six. My father lived on the outskirts of the itsy bitsy town of Dalton, Pennsylvania. The trip would take us a little over an hour due to the increasing traffic near the NY/PA border. Dalton was the kind of place where the term “next door neighbors” meant having to drive at least a mile in either direction to the next house over. Dense woods and wide fields of long grass populated the hills and along the winding side roads, some of which consisted of loose dirt and stone. There was only one mainline drag that showcased the essentials: your basic stop-n-fuels, a few bars and sammich shops, and an Arby’s. Everything in Dalton branched off Main Street like veins from an artery.
​
The sky that late Friday afternoon was a burst of fiery reds and pinks as we followed 81 South in my mother’s forest green Jeep Wrangler. The sun sat a few degrees above the horizon and was shining bright through my window on the passenger side. I had to squint through the dirty smudges on the glass to see the stacks of smoke rising out of the brick chimneys of large farmhouses passing by in the blur from the highway. Aside from the occasional cough or sniffle, the majority of our ride down was encased in silence. I wasn’t happy about being twelve and having no say in my weekend plans, and I think my mother didn’t know how to make it any better so she didn’t even try. The first time she said anything was when we passed a sign proclaiming the exit for Dalton to be twenty miles out.

​“I’m sorry,” she said.
​
It had come so abruptly I wasn’t sure she’d even spoken, not until I looked over at her and saw she was looking back, possibly to ascertain some sense of forgiveness from me. A ray of light from the setting sun hit me square in the eyes as I turned away and resumed staring out my window. “About what?” I asked, as if I didn’t have an inkling. My breath fogged a small section of the glass directly in front of my mouth.
​
She sighed. “When things . . . happened . . . with your father . . . I just . . . didn’t handle them right. I got so . . . angry. How could he do this to us, you know? How many times were we just supposed to be understanding of things? How many times had he been called away—sent somewhere he couldn’t tell us about, you know? How many times did he have to leave us in the blink of an eye and we didn’t even know if we’d ever see him again? That we had to plan our lives around him and what he did because we never knew when that goddamned phone of his would ring again.”
​
Hearing her rant the way she did, I wondered more as to why I wasn’t more pissed off about it all. My displeasure regarding having no say in the visit that weekend has been well documented already, but, in the grand scheme of it all, I just felt more slighted than anything else. You would think I should have been more upset towards the man who hadn’t made it a point over the last two years to arrange time for me, but I wasn’t. A two-year absence to someone so young is fragile; it feels like a lifetime. At the young age I was, I didn’t feel I really knew my father anymore, much less needed him.

​“I never wanted you to feel like I was keeping you from him,” my mother explained. I looked back at her. She wiped at a tear under her right eye before it had a chance to take shape and slide down the mound of her cheek. “None of this has been fair to you, and I’m sorry for that.”
​
She composed herself. The ribbons of dusk in the changing sky—luminous and full of variety one moment—took on a monochromatic and sinister tone. The reds, oranges, and pinks had turned a cool shade of violet in the atmosphere, the landscape now black, erasing all those fields and houses in coarse shadow. The darkening of the skyward color was fitting, a sign of how I felt internally, like some astrological mood ring.

​“He left both of us,” I said.
​
The next sign to pass on the right indicated we were fifteen miles outside of Dalton. It would be full on dark when we got there.

​Once the apologetic conversation had been taken care of, my mother’s demeanor shifted. What came out of her mouth next was said without even the slightest hint of question as to whether or not she was deadly serious. She was being blunt for the sake of making sure I couldn’t possibly misinterpret. It did, however, make me wonder just what I was in for, and how it was she could leave me so far from home without her.

​“I’ll be an hour away, Noah,” she said. “If, for God’s sake, anything happens, you don’t call me, all right?”

​I kept a blank stare on her, trying to follow.

“It’ll take me too long to come get you. You call 911. Understand?”

I nodded to let her know I did. I wasn’t sure what it was she thought, or feared might happen, and I didn’t dare ask.
​
Having that knowledge now . . . I should have asked.






An Unexpected Visit
COPYRIGHT © 2016 by Joseph Falank
Excerpt appears courtesy of Winter Goose Publishing

Friday, September 23, 2016

First Review For AN UNEXPECTED VISIT



I'm ecstatic to share with all of you that Kathryn Mattingly, author of Fractured Hearts, Benjamin, Journey, and the upcoming Olivia's Ghost, has written a beautiful review for my October novella release, An Unexpected Visit.

The review has been posted to Kathryn's website. Here's a snippet:

The story is captivating from the first paragraph and continues at a ‘hold your breath’ pace throughout the book. Mr. Falank does an extraordinary job of putting us into the hearts and minds of these two characters (as told through Noah’s perspective) and thus causing us to care deeply about the outcome of this ‘unexpected visit.’

A peek into this father-son weekend is sure to open a window to better understanding of the complex relationships experienced by all of us. Ultimately we can, as a unified group of Falank fans, agree that his writing elevates the average read into something much more meaningful.

Ms. Mattingly also asked me a few questions regarding Visit to go along with her review post. You can read it all on her site.

Sunday, September 4, 2016

Farewell Summer


Summer, to many, is not just a season, it's a feeling. That's what makes it to hard to write about.

I've been writing this blog over the course of the last three weeks. When I began the night sky was flashing with intermittent lightning while a modest rain pelted the windows and siding. As I finish, it's two days before school starts, and it's cool, quiet, and sunny. The last rounds of lawn mowing are taking place outside my office window. There's a keen scent of crispness to the air. A precursor to autumn.

And so winds down another summer; my second being entirely at home. Our family situation is fortunate enough that I don't have to work in the summertime, thus being able to spend the days with my daughter (who is just shy of 2), which has afforded unforgettable experiences that no amount of pay from any job could ever compensate for. I get to watch her - and be there - for a significant amount of time as she grows up.

Last year, around this time, Maddie was just about to take her first independent steps. Most of the summer of 2015 had me right there with her, attached at the hip every step of the way (couldn't help myself there). From the age of six months on she wanted to stand and walk, quite badly might I add (because that's what everyone around her was doing), she just wasn't quite there yet in terms of skill, but she's proven a fast learner. Maddie wasn't much into crawling - didn't really care for it (again, because, even though encouraged, she saw everyone else walking) - and wouldn't master that skill until after she'd walked; something I learned is not all that uncommon. So my three months off last year was defined by her wanting me available almost every second to assist in her attempts to move using her own two feet. Thank goodness my back is in good shape for all the leaning over to hold her hands as she practiced taking steps. 

This summer, though, has been surreal in regards to her progress. She, independently, can climb and play on the playground (though I still tend to hover nearby just for surveillance sake). At home she pinballs back and forth between her areas of play in the living room/dining room/"foyer," inviting me to play along or help her "make dinner" with the toy food in her kitchen set. She climbs and descends stairs with ease, sometimes now refusing assistance ("Maddie do myself!" she insists.). We've lost track of how many words she uses - it's beyond even counting now as she's into longer sentences. Her abilities with imaginative play are growing exponentially; she talks to her toys, talks about them, loves to call people on the phone, and interacts with her favorite show by answering questions asked to viewers on Mickey Mouse Clubhouse. She can count to fourteen without help, knows her ABCs, and, thankfully, loves to read (imagine that). She remembers most books in that she can recite the pages when prompted, sings to her baby doll while rocking her to sleep, and would much rather spend her time outside (at the park or carousel, if asked for her preference) than watching a screen. This may all sound like the bragging of a proud father, but, as previously mentioned, these are unforgettable experiences, and I'm beyond thankful I get to spend this time with her.

Which makes going back to work after tomorrow (Labor Day) all that much harder.

Not only does going back to work mean the number of my hours with Maddie will shorten, but my writing time also decreases once September comes around. As it is, I've been working during Maddie's afternoon nap, which allows me somewhere in the vicinity of ninety minutes to meet my quota of one-thousand words per day; on days she's visiting her grandparents, I work to double that output. When school is in session, I write during my half-hour lunch, and really try to keep it at that, regardless of how many words I produce (until it gets beyond first draft and I have to use my laptop), because by the time evening falls and Maddie's in bed, it's just my wife and I for a few hours before we're trying to catch a few hours to recharge - that 5 a.m. alarm always seems to go off earlier and earlier - and I'd much prefer to relax with my wife than push myself to work more. 

My brain's also pretty fried after 8 p.m.

As it is though, in a bit of surprise to myself, over the last six months I've hit a rather unusual stride of inspiration that's led to the completion of three first drafts - one short novel (The Long Road Home), a second YA novel (Among the Lights and Sounds of the Carousel), and a novella (Something Above the Stars) - all of which I've been very happy with the quality of said first drafts. I also completed and sent in my latest draft for An Unexpected Visit (which you'll be able to check out next month).

I've never been this productive.

And I attribute that to the decision I made a while back to not publish anything in 2017. Making that choice took off a lot of pressure. If I were planning a book release for next year, I never would have been able to focus on writing anything brand new, let alone three brand new stories. Just not how my mind works. I can't multitask stories.

The welcome increase in my output, the invaluable time with my daughter, both make summer difficult to acknowledge its passing until next year - only ten months away...

Though, and I can only wonder as the clock reads two in the afternoon and the last hours of summer break pass with a dreadful briskness, would this time be so cherished if it weren't finite?

If every day were like this would I appreciate them as much?

I'd love to say yes, and I believe I would.

Who could say no to a forever summer?

Forever Summer. Hmm.

Sounds like a story I may have to write.

Sunday, August 28, 2016

The Soundtrack Of My Summer

When I write, more often than not, there's music playing. Different songs help settle me into the groove and mood of whatever it is I'm writing. And usually what I listen to is score music (I've always dug James Newton Howard's cues), but this summer there have been a few lyrical tunes that have wormed their way inside my head and have been useful placing my mind where it needs to be when I've sat down to work on the next story.

Here are a few.


SIGNS - Complete Score - James Newton Howard
James creates sensational music, and his theme for SIGNS is iconic. Nestled within that repetitive three-note motif are sweeping variations on the theme that include heights and lows in the pace. Some of the music is somber, some is frantic. It's all so well balanced. One of my favorite scores to listen to, and was put on in the background while I recently typed away on my novella SOMETHING ABOVE THE STARS.


THE VILLAGE - Complete Score - James Newton Howard
Another brilliant score from James. The music here is tender at times, and then the tone changes on a dime into high energy/spooky elsewhere. Another of my favorite scores. This one I also listened to while writing SOMETHING ABOVE THE STARS.


"I Won't Give Up" - Jason Mraz
Snippets of this song have played in commercials for the upcoming show "This is Us" and I'd be lying if I said it didn't stick in my head (I suppose that's the point of the marketing campaign). The melody of this song helped establish the tone I wanted when developing SOMETHING ABOVE THE STARS.


"Down In Mexico" - The Coasters
If you're a big follower of Quentin Tarantino's films, you're aware of DEATH PROOF. Despite the film being "horror" it's just like all his others - mostly consisting of long stretches of conversations and plenty of catchy tunes. There also happens to be the always awesome Kurt Russell as a murderous stunt car driver. Anyway, in the movie, Kurt's character "Stunt Man" Mike convinces a girl to give him a lap dance (the means aren't important), and what results is a pretty high energy scene that was expertly filmed and includes a contagious track by The Coasters. The song begs to be played over and over. It played during stretches when I was writing the second draft of my short novel THE LONG ROAD HOME.


"Staggolee" - Pacific Gas & Electric
Another song from the DEATH PROOF soundtrack, "Staggolee" was in my head, and playing on the stereo, when writing THE LONG ROAD HOME.


"The Man Comes Around" - Johnny Cash
I can't say much about THE LONG ROAD HOME, but I can tell you the hero of the story is confronted by an unsettling stranger who's intentions are long debated between many in the hero's camp. The idea of the stranger came to me when I thought of this famous Cash song.


LADY IN THE WATER - Complete Score - James Newton Howard
Just beautiful. Perfect. Elemental. Portions of suspense, fantasy, and a recurring theme you can almost feel as pinpricks in your skin. My absolute favorite score. I listen to it with every story I write.

Monday, August 22, 2016

The (Art of the) New Author Photo

I suppose I don't have to do it - I'm not a fan of having my picture taken - but with the onset of a new book (An Unexpected Visit is almost a month away!), there comes the inevitable decision: use the previous author photo, or take a new one?

Let's go back two years.

Here is my author photo from 2014 for Seeing:


Not too shabby, no? Alright, let's dissect it.

I took this photo myself one spring afternoon while my wife was out grocery shopping. As mentioned, I don't like sitting for pictures - and they can be costly - so I figured I'd just do it myself. I simply set our camera up on a tripod, set the timer, and placed myself in a recliner, making it look like I was caught near a particularly bright window, looking over the pages of some work. Because that's how all authors get things done.

Yes, that's a white binder. I think the lined pages inside were blank. No, the lens flare isn't real; I added it later for effect (could be worse, I could have gone all J.J. Abrams and lens flared the whole pic so that you could only see my jaw). And I can't tell, is it supposed to look like I'm writing something? Kinda looks like I'm about to nod off.

Note to self: Don't take picture of yourself looking down. It doesn't have the impact you think it does.

Alright then, when it was time for The Painted Lady the following year, the choice was obvious: New picture!

And here it is:


Once more I went with the black and white. Looks more dramatic. Striking. I also took my own picture again. This time it was with my iPhone, with the camera set to Selfie Mode.

That's right, my 2015 author picture was a selfie. #win

This one was easy. I stood in front of an upstairs window in our house and just started snapping while looking all contemplative...at the wall. Yep, that's where my eyes are pointed. At a wall. The sun sure did a nice job of bleaching out most of that window. Ah, dramatic lighting.

That "shadow" of stubble is what I get the day after I shave. I could have a mountain-man beard in no time if I stop taming that thing.

This year it was obvious again - take a new picture! - but I wanted to do something a little more...meaningful, and try for better (production) quality.


Man, my new iPhone takes a hell of a picture. Not a selfie this time.

So, this pic isn't cropped down to actual "author photo" size, but in this wide shot you can see a frame on my desk that has a picture of my wife with Maddie, who was just a day old, and over my head is a picture of Maddie at two months holding a copy of Seeing. Yeah, there's also a BB-8. And a Millennium Falcon. What?

I like this year's author photo more than the previous takes (though I still don't like having it done) because it places a lot into one picture that makes up me - my family, my work, and some of my favorite things (behind me on the shelf are copies of my favorite books and movies, not placed overtly that they'd be obvious, but I know they're there).

With no plans for a book release next year, I've got two years to plan the next shot.

Imagine what my iPhone 8 will be able to do....

Thursday, July 28, 2016

Continuing A Prolific Summer

"The scariest moment is always just before you start." - Stephen King

Here we go.




Sunday, July 24, 2016

Open Submissions at Winter Goose

Are you a writer in search of a publishing home? Got a manuscript you've been working on, burning away the long hours of the night in hopes of finding it some pairs of loving hands that'll help you get it out to the world? Perhaps you've got a novel-in-progress stuffed away in a drawer waiting for some inspiration to finally return and finish it? If so, I have some great news for you:

My publisher, Winter Goose Publishing, will be holding an open submission period from the beginning of the day on August 1st till the end of the day August 15. All of the details on submissions and this upcoming open submission period can be found at their site.

Having published two books (with a third on the way in October) with WGP, I can attest that they've been nothing short of wonderful to work with - extremely professional with terrific communication; they're all about making sure - through the hard work that is editing and design - that their authors and readers are happy with the final product. Authors also aren't treated like authors; they're treated as family.

So finish up those manuscripts or dust 'em off, fellow writers, and good luck!